Nodame Cantabile - It was her turn
It’s always a little difficult to do a final thoughts post on a series I liked. I probably should say something mushy here like, “It’s like saying goodbye to an old friend.” In reality the feeling is much more along the lines of, “What now?” I don’t usually wrap my thoughts up when I finish a show. It’s more like a progression into the next thing. It possibly has to do with my personality, or maybe it does not. What was the last show I did this for? I think it Gankutsuou or was it Honey & Clover. I’m not sure.
Nodame didn’t cause much fuss in the blogging community, as far as I could tell. Others liked it, but not many placed it in the highest regards when posting about it. There were not many complaints, but there was not much adulation either.
In my opinion, that reception was rightly deserved. The show could have been better. I don’t think many would disagree that Noda’s character could have been deeper. She was a simple character, no doubt. At times she was literally compared to an animal. However, given that she received that treatment in the story, what was her real role? Noda’s story doesn’t come out until the very end of the series. It is in the final few episodes that we are told what exactly happened to her.
The story revolves around them both, but for the most part it is Chiaki’s story. It’s he whose character is developed throughout the story. We spend a great deal of time with Chiaki. We know what drives Chiaki. We know what Chiaki fears. We also can see his developing feelings for Nodame. Still, what was Noda’s role in the story other than to offer comedy?
Despite being the main character of the story it is very hard to empathize with Chiaki. There just isn’t anything there to connect with. Who else can we “know” in the story? Where is the character that resonates with us? It can’t be Mine? What about Stresemann? No, they will not do for us. We need something to latch onto. We need something distant but also familiar.
There just isn’t a character in the story for that. We have to accept that the story isn’t what we wanted. It isn’t the story of two people coming together and the journey they take. Nodame Cantabile is simply about overcoming obstacles in a literal sense. Noda isn’t a classical love interest.
She isn’t Julieto to Chiaki’s Romeo.
She isn’t Hagu to Chiaki’s Yuta.
Still, Noda is the character that I liked. She was simple. There wasn’t any pretense with her. She was the character that I identified with. What we see from examination is that she wasn’t necessary to the main story. She made the ending romantic, but was a background harmony the rest of the time. Though the show was much more pleasant because of her.
Yet, the argument can be made that one note cannot move people. A single rhythm does not make a song. The soundings of a single instrument’s progressions, while beautiful, will eventually become monotonous without others to accompany it.
In an almost insulting way it could be construed that she was put in the story because we are just too ignorant and untalented to enjoy a show just about Chiaki. His intelligence was too deep; his talents were too vast. Nodame brought Chiaki down to earth. He became accessible. He wasn’t the magnificent conductor when he was with Noda. He was the child scared of flying. Nodame made Chiaki normal, just for our sake.
All things considered, I would have preferred a simple love story. Damn it.



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Ah, Chiaki and Nodame's love story is not so simple. As in the live action and the anime series, they only did the series up to them leaving Japan.
Maybe someone will do the second arc of Chiaki and Nodame in Europe. This is where both of them start to grow a little more. Especially, Nodame who has been pulled away from everything she has ever known ie Japan.
Both Chiaki and Nodame are not the wunderkids anymore like they were back home, at least not at first. They face some serious competition and must re-evaluate their place in the world.
The manga is still ongoing and is up to issue 18 as I write this. The shows themselves stopped at issue 9.
Here's to hoping for a second season. For some closure if for nothing else.
If the sequel indeed does focus more on the couple I would like to see it happen. As I wrote, the main issue I had with the story was with their development together.
In particular, I didn't like that Noda took a back seat throughout the story.
Oh, I can see your point but that is the way the story was written.
Except for a few omissions here and a few plot/character changes there, both the anime and the live action series have stayed pretty close to the original manga storyline.
The first half of this story does focus more on Chiaki's development at the expense of Nodame. But she is still a child, and is fighting to stay that way in her own way.
"Why can't I play piano the way I want to!"
Her childlike innocence and devotion is a part of her charm and why we like her so much. But it is also one of the reasons why it is hurting her in the long run.
Streissman stated that as long as she remains the way she is, an immature under-achiever, she cannot be with Chiaki.
Chiaki is the kind of man that you have to connect with his head first and then his heart or you'll never reach him.
Nodame also realizes this in her own way. That is why she was so crushed and devastated after losing the competition. That is also why she refused to go with Chiaki to Europe at first. She just didn't feel worthy.
After Chiaki came looking for her in Fukuoaka, she realizes that he does love her in his own way. However, now they must move on to the next stage in their relationship and their lives. Sometimes to achieve the greatest love is to put in some major work.
On the European front, it seems that a lot of obstacles have been placed in their path: distance, friends and enemies with their own agendas, and life in general.
Once Del Rey starts translating and releasing the rest of the books Stateside, I suggest you pick them up.
It seems that had they extended the story into the Europe arc I may have changed my overall impression.
You offer some interesting insight into Noda's character in this arc. It wasn't only childish behavior though. There was almost no character development for her. Although, you are right, it fits into the story.
Much of the slapstick comedy was centered on Noda, which I thought turned her into a bit of a clown. I'll give you that we weren't suppose to take her too seriously yet. However, it was a bit unfair to her even if it was the way the story was written.
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